Yesterday Giles and Magda invited me to attend the annual UBS Forum at the beautiful Rosewood Hotel, one of those hotels in a renovated palace in the heart of London, with a resident dog. Held in major financial cities across Europe, the UBS Forum is presented under the banner “sharper opinions – smarter decisions”, where UBS specialists and external experts provide insights on key topics. This years’ speakers and topics were:
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Yesterday I went with my wife and son to visit the Victoria & Albert’s Museum exhibition You Say You Want a Revolution? Records and Rebels 1966-1970. The aim of the exhibition was quite clear: How have the finished and unfinished revolutions of the late 1960s changed the way we live today and think about the future? I was very much looking forward to visiting the exhibition. It is SO timely, and SO needed, I thought.
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I have often criticized artists who hide behind “my work speaks for itself” or “it’s up to the viewer to interpret my work”. Nice try, but that’s bullshit. Of course, anyone can interpret anything when exposed to an artwork! But the artist should at least make an attempt to explain the meaning behind a piece. No matter how self-explanatory (or obscure) it might be. It’s not “restricting the viewer”, it’s guiding; suggesting is not imposing.
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Saturday, September 17, was my last day in San Francisco, and the only one I had with some spare time. After breakfast, I went to but some gifts from Japan Town and then headed to Union Square, for the Korean Day (Chuseok) culture festival. Then I went to the Yerba Buena Center for the Arts to check out Tom Sachs’ Space Program: Europa. As I feared, after the failure of _Sony Outsider,_ Tom Sachs’ obsession with demonstrating his hand-made “bricolage style” continues.
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Walking towards my London Shoreditch office to meet the Swiss investor and his impeccable suit, leaving the City bankers’s coffee-holding fast pace behind, I notice the absence nobody seems to Where did he go? His sleeping sack and pillow still on the sidewalk as annoyingly positioned in the corner as always But he’s gone . I wonder and I worry his failing body, almost as absent as his lost gaze
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Yesterday, after spending the day at a tradeshow in Düsseldorf, on my way by train to the hotel in Mülheim, I stopped in the town of Duisburg, which was on my way, because I heard they were setting up a Christmas market. The market was indeed being set up, but it was still closed, so I decided to go back to the station. To avoid the sprinkling rain I took the 901 tram at König-Heinrich Platz.
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On Monday I attended the presentation of Project M, a new video-game as investment opportunity, in Google Campus, London.

First of all, let me congratulate the savvy business and marketing team behind it. They put together a well though-out package, their idea is unique and very interesting: a videogame that will reward players by sending them real gold + investors buying “mines” in the game and participating in the profits.


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Jorge Cortell

My blog in English

Serial entrepreneur (x8) and Art Curator - Founder & CEO, Kanteron Systems

Valencia (Spain)